Mr. Tu-Shan Huang began to learn bamboo weaving from two Japanese artisans, Ikeda and Futagami when he was 14 years old (1939), and acquired a style that is both delicate and rough. Most of his works use the Makino bamboo of Zhushan, because he believes that the luster of the green bamboo and the toughness of the material are all first-class materials, so Makino bamboo is his first choice for bamboo weaving materials.

This work depicts the partial representation of the main trunk and branches of a large tree with extreme delicacy. The artist employs interdisciplinary craftsmanship and irregular inlay techniques to portray the aged and mottled texture of the bark. The overall presentation demonstrates intricate yet orderly weaving skills, showcasing mastery and proficiency in technique. The circular regular pattern at the base of the trunk symbolizes a tree knot, with its outer round and inner square design evoking associations with trees and fruits. The herringbone-patterned band decorating the outer edge of the circle contrasts playfully with the three-dimensional square inside, creating an engaging juxtaposition with the intricate bark inlays.