Exhibition Overview Wood carving is a three-dimensional art in which artisans select suitable wood and use carving tools with focused mindfulness and refined skills to intricately sculpt wooden materials. Unlike additive processes, wood carving embodies a “subtractive approach,” where creators continuously refine and distill the essence of their vision through careful removal, integrating their thoughts and creativity into the process. As one of Taiwan's significant traditional crafts, wood carving is evident in its applications for deity statues, altars, and various wooden objects used in temples and households. In the carefully condensed space shaped by each thoughtful chisel stroke, wood carving’s subtractive artistry not only reflects the flourishing development of wood carving craftsmanship and folk beliefs but also showcases its inseparable connection to everyday life and culture. Master Chi-Tsun Chen, who began his apprenticeship under Fuzhou-style deity carver Yi-Shui Lin in 1976, has dedicated nearly fifty years to the field of wood carving. He has inherited the essence of traditional wood carving while actively seeking to enhance his techniques and break through the boundaries of knowledge and experience. With relentless artisan spirit, he has pioneered a new perspective that blends traditional crafts with modern art, promoting wood carving through diverse interdisciplinary collaborations. In 2020 Chen was honored with the National Crafts Achievement Award. His works encompass both traditional wood carvings and modern sculpture series, continuously accumulating and passing down knowledge like the growth rings of a tree, steadily evolving with the times and extending into the future. This embodies the most vibrant and moving vitality of contemporary Taiwanese wood carving craftsmanship. This special exhibition, titled Wood Carving from the Heart, showcases 66 meticulously selected works. It is divided into four thematic sections: "The Beginning of Apprenticeship," "Accumulating Artistic Knowledge," "Observing the Contemporary," and "A Symphony of Diversity." These sections highlight how Chi-Tsun Chen transitioned from traditional wood carving to modern sculpture, overcoming challenges posed by technological advancements and evolving societal demands. The exhibition illustrates his ongoing journey of personal growth, relentless pursuit of innovation, and remarkable breakthroughs in the art of wood carving. Wood Carving from the Heart :Chi-Tsun Chen's Wood Carving Art Exhibition Exhibition Duration: 2025.02.18 - 2025.05.11 Opening Hours: Tuesdays to Sundays (Including national holidays) 09:30-17:30 Venue: 2F, Taipei Branch, National Taiwan Craft Research and Development Institute Address: NO. 41, Nanhai Rd., Zhongzheng Dist., Taipei City 100052, Taiwan (R.O.C.)
A short documentary film was made based on the concept of ""Plant Essence- Creating a Rustic and Fashionable Local Rural Craft Aesthetics."" The film Colorful Dye features cloth-dying craft communities, and introduces colorful and diverse plant-dyed cloth into the community.
Participating Communities:
New Taipei City Sanxia District San Chiao Yung Culture Association, Kaohsiung City Baolai Humanities Association, Tainan City Houbi District Molin Community Development Association, Hsinchu County Persimmon Dyeing Culture Association
The work illustrates the presentation between the main trunk and branches of the big tree in details. The author adopts cross-area craft skills to present the pale, old and mottled bark of a tree in irregular inserting skill. In a whole, it demonstrates numerous but orderly weaving capabilities with skillful and fully-developed technique. The regular round images on the lower part of the trunk are the symbol for burls. The design of round outside and square inside makes us link trees with flowers or fruits. The circle outer edge is decorated with herring bone band while the square inside the circle is presented in three-dimension. It creates interesting contrast with the mixed and messy inserted bark. The work completely integrates the whole design in bamboo weaving skills, carpentry, and lacquer art and it fully presents the spirits of “modernized the tradition and bring the work into life” that the craftsman always carries out. The sublime creation model is admiring.