國立臺灣工藝研究發展中心

材質與土地的對話，工藝與自然的共生 本展覽第一檔展期探討之主題為「永續之藝」。在全球關注環境議題的當下，工藝以獨特 的方式回應永續的需求，展現人與自然共生的智慧。「永續之藝」以自然材質與匠心技藝為核 心，聚焦環保與再生材料的運用，透過精湛工藝呈現出對土地的尊重與再生的可能性。展品涵 蓋陶瓷、木質、金屬、漆等多元媒材，呈現從素材選擇到設計製作的完整永續思維，帶領觀者 重新思索工藝在永續生活中的價值與角色。 綠工藝的永續美學-自然、循環、樂活、共好 柳宗悅:「工藝源於自然賜與的素材，沒有素材，當地就無工藝可言。因此各地都有工藝的故 鄉。不同的地方產出不同的種類、變化與味道的工藝。」-《工藝之道：日本百年生活美學之濫 觴》 工藝來自人類生存所需，是人們適應風土環境，以自然資源為材，所發展出的創作與技藝， 也是人類生活智慧與生命態度的展現。工藝因創作媒材多取材自然，其重要的精神特質即是與 自然和諧共生，可循環再利用的特質，較不影響自然平衡。在工業化發展下，導致產品大量生 產消費與資源過度開發利用，生態的負荷，使人們產生反璞歸真、回歸自然的嚮往。「永續發 展」（sustainable development）尊重自然、友善環境的綠色主張，逐漸形成主流議題。 Braugart等人提出的「生態效能」(eco-effectiveness)中強調:「搖籃到搖籃」(Cradle to Cradle)的理念，強調所有物質皆可回歸自然養分的設計思維，工藝即是符合此信念之共好原則， 創造「綠工藝」的永續美學理想。 Dialogue Between Material and Land, a Symbiosis of Craft and Nature The first phase of this exhibition explores the theme of “Art of Sustainability.” In an era of global focus on environmental issues, craft responds to the call for sustainability in a unique way, embodying the wisdom of coexistence between humanity and nature. Centered on natural materials and masterful craftsmanship, “Art of Sustainability” highlights the use of eco-friendly and recycled materials, showcasing a profound respect for the land and the potential for regeneration through exquisite craftsmanship. The exhibition features a diverse range of mediums, including ceramics, wood, metal, and lacquer, presenting a holistic perspective on sustainability—from material selection to design and production. It invites viewers to rethink the value and role of craft in fostering a sustainable way of life. 綠工藝的永續美學-自然、循環、樂活、共好 柳宗悅:「工藝源於自然賜與的素材，沒有素材，當地就無工藝可言。因此各地都有工藝的故 鄉。不同的地方產出不同的種類、變化與味道的工藝。」-《工藝之道：日本百年生活美學之濫 觴》 工藝來自人類生存所需，是人們適應風土環境，以自然資源為材，所發展出的創作與技藝， 也是人類生活智慧與生命態度的展現。工藝因創作媒材多取材自然，其重要的精神特質即是與 自然和諧共生，可循環再利用的特質，較不影響自然平衡。在工業化發展下，導致產品大量生 產消費與資源過度開發利用，生態的負荷，使人們產生反璞歸真、回歸自然的嚮往。「永續發 展」（sustainable development）尊重自然、友善環境的綠色主張，逐漸形成主流議題。 Braugart等人提出的「生態效能」(eco-effectiveness)中強調:「搖籃到搖籃」(Cradle to Cradle)的理念，強調所有物質皆可回歸自然養分的設計思維，工藝即是符合此信念之共好原則， 創造「綠工藝」的永續美學理想。 「綠工藝」兼顧人們對樂活、品味、獨特性的主體意識以及環境永續、生命共榮的主張， 而素材取自天然、具備生活機能和設計感的工藝品，因具有手感溫度而有別於均質化無溫度的 一般產品，使人們願意為享有更優質的生活品質，放慢腳步等待優質的工藝品，這即是體會 「慢活」、享受「樂活」；讓「工藝漫活」創造美感生活品味的美學觀。 The Aesthetics of Sustainable Green Craft: Nature, Circularity, Joyful Living, and Shared Goodness Yanagi Soetsu once wrote, “Craft stems from the materials granted by nature. Without materials, there can be no craft of a place. Thus, every region is the birthplace of its own craft, yielding unique varieties, transformations, and flavors.” — The Way of Craft: The Origins of Japan’s Century-Old Aesthetic of Daily Life Craft arises from the necessities of human survival, emerging as a creative and technical response to local environments and natural resources. It reflects humanity’s wisdom and attitude toward life. Since craft often draws heavily from nature, its essence lies in harmonious coexistence with the environment, with an inherent recyclability that minimally disrupts ecological balance. However, industrialization has spurred mass production, excessive resource consumption, and environmental degradation, creating a yearning for a return to simplicity and nature. The concept of “sustainable development,” which respects nature and promotes eco-friendliness, has gradually become a dominant discourse. Within this context, Braungart and others introduced the concept of eco-effectiveness, emphasizing a “cradle to cradle” design philosophy where all materials are designed to return as nutrients to the natural system. Craft, aligned with these principles, embodies the ethos of shared good, shaping the ideal of sustainable aesthetics in “green craft.” Green craft balances humanity’s pursuit of joyful living, refined taste, and individuality with the values of environmental sustainability and shared life harmony. Crafted from natural materials, green crafts serve functional and aesthetic needs, while their tactile warmth distinguishes them from the homogeneity and coldness of mass-produced goods. This encourages individuals to slow down, embracing the patience required for quality craftsmanship and enjoying a higher quality of life. This experience embodies the ideals of “slow living” and “joyful living,” fostering an aesthetic lifestyle where “craft-inspired slow living” becomes a philosophy of elegance, sustainability, and mindfulness. 臺灣工藝之家 「臺灣工藝之家」是國立臺灣工藝研究發展中心自2004年起設立的工藝家認證制度，目 的在推動臺灣工藝文化傳承與創新，工藝之家認證涵蓋陶瓷、木質、漆藝、金工、玻璃、纖 維、玉石雕刻等多元工藝領域，展現臺灣豐富且深厚的工藝傳統。「工藝之家」串連起臺灣 各地工藝據點，除了彰顯各領域工藝人的卓越技藝，也與地方產業聯結，將工藝文化與地方 特色緊密結合，如透過工作室參訪與地方合作，成為工藝在地深耕、推廣工藝文化教育與永 續發展的重要平臺，工藝之美得以在土地的每個角落閃耀。本展呈現「臺灣工藝之家」的工 藝之美、土地溫度、文化內涵與社群連結，猶如繁星閃耀的工藝地圖，為民眾生活注入文化、 情感、美感與深度。 Taiwan Crafts Workshop Established in 2004 by the National Taiwan Craft Research and Development Institute, Taiwan Crafts Workshop is a certification program that fosters the preservation and innovation of Taiwan’s craft culture. Encompassing diverse fields such as ceramics, woodwork, lacquerware, metalwork, glass, textiles, and jade carving, the program showcases Taiwan’s rich and enduring craft traditions. Taiwan Crafts Workshop connects artisans and studios across Taiwan, highlighting the exceptional skills of craftspeople while integrating local industries. Through studio visits and regional collaborations, it serves as a crucial platform for cultivating crafts locally, promoting cultural education, and advancing sustainable development. The beauty of craftsmanship shines in every corner of the land. This exhibition encapsulates the artistry of Taiwan Crafts Workshop, blending the warmth of the land, cultural richness, and communal connections. Like stars on a radiant craft map, it infuses daily life with culture, emotion, aesthetics, and depth.